Sunday 20 April 2014

Interview of Vaishali Kawalkar : When was Gothic Architecture Introduced ?

Gothic Architecture

Q.  Tell us the origins of Gothic Architecture.

Civilizations come and go. This, is the transient feature of life. What defines them is what they leave behind for posterity to see, admire and learn.

Something similar took place half the globe across from India, in the continent of Europe, close to 2000 years back. With the Roman Empire in retreat, Europe was over-run by Germanic tribes such as the Goths, Visigoths,  Angles, Saxons, Lombards and Vandals. The last lent their name to a particular brand of barbarous rout which they left behind in most places they conquered. Less of conquering and more of looting and destruction was what was witnessed.

These tribes defined their own style of construction which though derided initially by the likes of Christopher Wren as barbarous, rude and an offence to the eyes, was never-the-less accepted by most from then to the present as masterpieces of architecture. Despite their vandalizing traits, they borrowed heavily from the Romans whom they replaced in most places combined with ther own local influences.

Q.  What are the most distinctive features of Gothic Architectures?

 The first thing any Gothic structure does is arrest your attention! Huge in any way you see it, these could be seen from miles away with spires touching the sky! And that too on an impossibly thin base! As you get close, you observe other distinctive features like arches, sloping roofs at impossible angles, spires etc.

Given these features, Church built in Gothic style still create a powerful impression on the approaching worshipper, demonstrating both the might of God and the might of the institution that it represents.



Q.  Where is it that this style of architecture is found in numbers?

It first appeared in France in the 12th century and lasted till the 16th. The term Gothic came into being during the later part of the Renaissance. Mostly found all over Europe, it manifested itself in the best and most magnificent of great churches and cathedrals and in a number of civic buildings with its distinctive spires, height and great arches, ribbed vault and the flying buttress imparting a feeling of pride, grandiousness and opulence.

As it progressed, it found its influence in palaces, town halls and castles as well. The last being its most enduring legacy. They generally formed the landmark building in most European towns, rising high above all the other structures and often surmounted by one or more towers and spires.
These structures were the skyscrapers of those days with some being the tallest man-made structures in Europe till then.

Q.  Is there a utility aspect to the way these structures built or was the purpose purely ornamental?

The Gothic style, emphasized verticality and ventilation achieved by the development of certain architectural features, which together provided an engineering solution. The structural parts of the building ceased to be its solid walls which became stone skeletons comprising clustered columns, pointed ribbed vaults and flying buttresses.
Innovations such as the use of pointed arch which channel the weight onto the bearing piers or columns at a steep angle were used extensively. While, structurally it gave a greater flexibility to architectural form, it also gave Gothic architecture a very distinct character far removed from the prevailing Roman influence.
Another striking feature were the windows which developed from simple openings to immensely rich and decorative sculptural designs. The windows were very often filled with stained glass murals which added a dimension of colour to the light within the building, as well as providing a medium for figurative and narrative art.

Q.  Where is Gothic architecture to be seen today, especially in India?

The period of Renaissance saw the decline of the Gothic style which was revived in the middle of the 18th century in England and spread thru into the 20th century.
The English carried this forward to their colonies world-wide, a prime example of this in India being the glanderous railway station in Mumbai called Victoria Teminus, later named “The Chhatrapati Shivaji Terminus”. 


Q.  Any luck for Pune as regards Gothic architecture?

Two structures come to my mind as regards Pune.

Lal Deval, a Jewish Synagogue resembling a church in classic English Gothic style. Built by philanthropist David Sassoon in 1867, it is placed in a conspicuously manner on Moledina Road.

The main building of the University of Pune too is in classic Italian Gothic style. Built in 1871, it has a 100-feet high tower and stylized terraced gardens besides many porches and arches. A lot of ornamentation has gone into making this structure truly grand.

Q.  Where does this lead to?

Architect in Pune like Sovereign Architects do want to create grandiose structure in Gothic style provided there is a demand for the same.
Gothic architecture was in vogue when land and material were available cheap and in abundance, both of which don’t hold true anymore. That said, there are certain things this form of architecture has taught us, like the use of height, columns, glass etc which we try to the extent possible to incorporate into our creations and seem to be succeeding.

Q.  Any last words on Gothic Architecture and Sovereign Architects?

The creators of this style of Architecture where-ever in Europe have our deepest regards. They were Masters and that too in times when there were none to teach them. One has to learn by experience despite which they went ahead and created humongous master pieces which are still standing tall and will do so for a long time to come.

We, have a lot to learn from them and we shall learn from them.

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